Okay, okay, I’m going to tell you what Hermione sees in Ron.
A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.
So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.
“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.
When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.
So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.
In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.
So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.
Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?
[John: Because we need to market the movie to girls.]
I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.
Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?
She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.
Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.
The first thing to know about Mako is that to me she represents the elements of the typical (male) hero’s journey flipped on its head:* Miraculous birth? When she is a small child, Mako’s parents are killed in a kaiju attack in Tokyo. (While not explained in the movie, the official novelization states that Mako and her family were just visiting Tokyo when the kaiju appeared.) Call to adventure? Raleigh’s arrival to the Jaeger Program HQ is the catalyst to Mako challenging her adopted father — the commanding officer of the Jaeger Program — to let her become a Jaeger pilot. The Belly of the Whale? Having persuaded her father to let her try piloting, Mako’s first test drive in a Jaeger doesn’t go very well. Road of Trials? With her failed attempt at piloting a Jaeger, Mako’s father is reluctant to send her out on a real mission. Fight Against the Big Bad? Let’s just say Mako is very instrumental in bringing about the end of the Kaiju War.
Mako, who is Japanese, and is played by a Japanese woman (Rinko Kikuchi) further subverts stereotypes because as a character she is effectively the opposite of several tropes related to Asian women. As PolicyMic’s Marjorie Romeyn-Sanabria puts it:
"Was Mako fetishized as the hot Asian chick? No. Was she portrayed as deferential and eager to please? No. She respects her adopted father and military leader Stacker Pentecost, but pleads that he changes his mind about letting her operate a Jaeger. She politely, but honestly conveys her doubts about Raleigh. At no point in the film are any decisions made based on Mako’s appearance. These are all very good things for a film that is released from the Hollywood trick box. When the best audiences can hope for from a summer blockbuster is tired clichés slapped together with action sequences, this is a breath of fresh air."
WHY DO THEY ALWAYS SLICE THEIR PALM TO GET BLOOD. do you know how many nerve endings are in your hand?!?! why don’t they ever cut the back of their arm or their leg or something omfg
me everytime a character in a movie has to get a few drops of their blood for some ritual bullshit (via jtoday)
WHILE WE’RE AT IT, why do people try to cross those skinny bridges over lava/chasms/whatever by walking upright. IT’S CALLED CENTER OF GRAVITY. get on your hands and knees and crawl across that thing. HUG IT. SCOOT YOUR BUTT ACROSS. “but i look stupid!” lalalala but we’ll avoid that ~dramatic moment~ where you almost fall over and die because your damn fucking self wanted to look COOL
and stop yanking IV lines out of your arms the minute you wake up in the hospital
That is a broadsword, why are you fencing with it
why do people say “don’t be a pussy” when talking about weakness more like “don’t be a man’s ego” because you know there isn’t nothing more fragile than that
because “pussy” is the shortened form of the word “pusillanimous”, which means “timid, cowardly”
and not the slang word for the female genital region?
literally no one else knows this. nobody.